Capable dancer performs wearing white clothe "Roppe" for about one and half minute following flut. The movement is as follows, following "Michibayashi".

(With a big drum sound)

Cross both hands at the wrist, and bring to the front of knee. Only both second fingers remain extended, others are gripped.

(With a flut)

Lift the crossed hands on head, stand up, go ahead jumping lightly. Lift the head, and see the crossed wrists.

(With gong sound)

Bent upper body left down aslant quickly. Left hand points directly to left foot, right hand points right head showing palm to the front. Left arm extended straight, right arm bend raising an elbow to the upper right. Left leg lengthen to a tiptoe without moving an axis, right leg shift its axis on right-hand side and bent outside. Head is bent on left side and look to the left-hand point.

(With next gong sound)

Contrary to the previous time, the position of both legs is not moved, contrary to previously�Araise and divert upper body aslant to lower right. A position on either side is reversed rotating both hands to upper side. While the right arm is extended straightly, the left arm is bent raising an elbow to the upper left. Right leg is lengthened to a tiptoe and a left leg is bent outside. Head is bent on right side and look to the right-hand point.

(After one beat, with flut)

Raise right leg greatly and shake to left-hand side. Shake right hand also greatly to left side, and cross with the left hand at the wrist. Shake head to upper left and see the crossed hand. No change for left foot. Standing point goes back gradually.

(With good tempo)

Bound upwards by the left leg, and land by the right leg. Take down crossed hand to lower right. Shake head looking lower right. Stir utilizing reaction.

(With good tempo)

Bound upwards by the right leg, land by the left leg, back to the previous form quickly.

(With good tempo)

Bound upwards by the left leg, land by the right leg, back to the previous form quickly.

(With long sound of flut)

Squat down lengthening one leg to forward right, bending the other one. Turn crossed hands drawing a big circle on upper side, look a motion of a hand, from the bottom to top, and get downward.

?

(After change of flut music)

Take down crossed hands downward, raise the hands on the head by the reaction, rise up, progress to forward right bounding gradually. Raise the head, and look at the crossed hands.

(With gong sound)

Bent upper body left down aslant quickly. Left hand points directly to left foot, right hand points right head showing palm to the front. Left arm extended straight, right arm bend raising an elbow to the upper right. Left leg lengthen to a tiptoe without moving an axis, right leg shift its axis on right-hand side and bent outside. Head is bent on left side and look to the left-hand point.

(With next gong sound)

Contrary to the previous time, the position of both legs is not moved, contrary to previously�Araise and divert upper body aslant to lower right. A position on either side is reversed rotating both hands to upper side. While the right arm is extended straightly, the left arm is bent raising an elbow to the upper left. Right leg is lengthened to a tiptoe and a left leg is bent outside. Head is bent on right side and look to the right-hand point.

(After one beat, with flut)

Raise left leg greatly and shake to right-hand side. Shake left hand also greatly to right side, and cross with the right hand at the wrist. Shake head to upper right and see the crossed hand. No change for right foot. Standing point goes back gradually.

(With good tempo)

Bound upwards by the right leg, and land by the left leg. Take down crossed hand to lower left. Shake head looking lower left. Stir utilizing reaction.

(With good tempo)

Bound upwards by the left leg, land by the right leg, back to the previous form quickly.

(With good tempo)

Bound upwards by the right leg, land by the left leg, back to the previous form quickly.

(With long sound of flut)

Squat down lengthening one leg to forward right, bending the other one. Turn crossed hands drawing a big circle on upper side, look a motion of a hand, from the bottom to top, and get downward.

(After change of flut music)

Take down crossed hands downward, raise the hands on the head by the reaction, rise up, progress to forward left bounding gradually. Raise the head, and look at the crossed hands.

(With gong sound)

Bent upper body left down aslant quickly. Left hand points directly to left foot, right hand points right head showing palm to the front. Left arm extended straight, right arm bend raising an elbow to the upper right. Left leg lengthen to a tiptoe without moving an axis, right leg shift its axis on right-hand side and bent outside. Head is bent on left side and look to the left-hand point.

(With next gong sound)

Contrary to the previous time, the position of both legs is not moved, contrary to previously�Araise and divert upper body aslant to lower right. A position on either side is reversed rotating both hands to upper side. While the right arm is extended straightly, the left arm is bent raising an elbow to the upper left. Right leg is lengthened to a tiptoe and a left leg is bent outside. Head is bent on right side and look to the right-hand point.

(After one beat, with flut)

<21> Raise right leg greatly and shake to left-hand side. Shake right hand also greatly to left side, and cross with the left hand at the wrist. Shake head to upper left and see the crossed hand. No change for left foot. Turn the back inside and bound drawing the circle greatly.

(With good tempo)

<22>Move like drawing a circle by the left leg, land by the right leg. Take down the crossed hands down to lower right. Shake the head looking lower right. Stir taking advantage of reaction.

(With good tempo)

<23>Move like drawing a circle by the right leg, land by the left leg. Take back to <21> situation.

(With good tempo)

<24>Move like drawing a circle by the left leg, land by the right leg. Take back to <22> situation.

(After one beat, with flut)

<25>Extend both legs firmly, and extend crossed hands horizontally from the breast respectively. Turn the head to a top, and curve back as much as possible. Curve the upper body as well, and don't move for a while.